What is this World Coming to? Slingerland Ride Attempts To Answer This Question On Their First Ep
by Alan Jacobson

Some bands are derivative. Out of either arrogance or ignorance, they plunder sounds past without having the respect, acknowledgement, or innovation necessary to borrow a forerunner’s ideas. On the other hand, some celebrate what they have learned through homage, and even reference their influences in verse. Enter Slingerland Ride. These four seasoned Chicagoans have been playing together for a couple of years, and have just released a self-titled testament to their honesty on Empty Adventure Music.

A Tom Waits inspired carnival stomp lurches the listener into “Come to This”, a curmudgeonly lament on the modern state of affairs. A few lines into the song, vocalist/guitarist/keyboardist/percussionist Michael Dean mentions a “rusty guitar”. This is a direct Tom Waits reference, but here we have a calmer, less frenetic style—a mature music which takes its time to make its points. Dean later alludes to The Dead Kennedys—a nice tribute to a band that helped to increase youthful social awakenings, a consciousness which colors the whole of Slingerland Ride. On the next tune, a tango rhythm illustrates the intricate dance it takes to “Leave it All Behind”. Sprinklings of Nick Cave are evident throughout; a honky-tonk piano flavors “I Laugh Until I Cried”. Both “Junkie Queen”, an examination of false seduction, and “Colors and Lies”, are similarly enchanting, with Douglas Abram’s Morphine-styled dual reeds propelling the grind of “No Retreat/No Surrender/No Joy”. The EP closes with the cynical “When Nothing Seems Right”, a true tavern ballad where “The glass is half empty/And the bartender’s nowhere in sight”.

The whole pessimistic affair ends with the line, “Welcome to your life”. Alongside artwork reminiscent of AC/DC’s Dirty Deeds Done Dirt Cheap (hyper-normal people with blanked-out eyes), there is plenty of darkness to chew on. There is balance, though; hope, “that thing with wings”, elevates the proceedings, and a sense of celebration is always in play. Maturity and complexity triumph. In conversation with bassist Arunas Ingaunis, I learned that Slingerland Ride recently picked up another keyboard player. This should add even further dimension to a band that knows its past, present, future, what it wants to say, and how to say it.

For more info and booking email arunas33@comcast.net.


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